And we had little time.” The four episodes, Prem mentions, were eventually cut and stitched together to make a single episode. ![]() But turning that into a pilot was next to impossible. I told dad we couldn’t do it,” says Sagar’s son, Prem Sagar. “We met, my brothers and dad, when the call came in. ![]() Asked if he could present a pilot episode of the Ramayana within two weeks, Sagar said yes. In January 1987, Sagar received a call from the offices of Doordarshan in Delhi’s Mandi House. The pilot episode of the show was culled out of four episodes which Ramanand Sagar had shot before Doordarshan commissioned him the show.(Courtesy: Sagar Arts.) Thirty years on, and a week after his 100 birth anniversary, Sagar’s legacy is more a source of questions than answers. Among the attendees – which included local labour MPs, gurus and other religious leaders – one man stood out, perhaps for the influence he had already built up and the wave of Hindu approval and recognition he had ridden on on his way to the Sammelan – Ramanand Sagar. As part of the agenda, the need to move – politically and physically – for a Ram Mandir in Ayodhya was unanimously pushed. The gathering, instructively titled ‘Sammelan,’ sought to bring together Hindus living in Britain and called for the reawakening of a larger Hindu identity. ![]() On Augthousands of people were gathered in the southern English town of Milton Keynes.
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